Partitions Numériques de Chorale pour Euphonium, Piano (duo)

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Chorale
Non classifié 731

Piano & claviers
Orgue 635
Piano seul 225
Piano, Voix 30
Piano Facile 30
Piano, Voix et Guitare 15

Accompagnement Piano 13
Piano (partie séparée) 8
1 Piano, 4 mains 6
Orgue, Trompette (duo) 6
Instruments en Do 3
Piano Quatuor: piano, violon, alto, violoncelle 3
Orgue, Piano (duo) 2
Piano Trio: piano, violon, violoncelle 2
Piano Quatuor: piano, 2 violons, violoncelle 2
2 Pianos, 4 mains 2
Ligne De Mélodie, Piano 1
Accordéon 1

+ 12 instrumentations

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Guitares
Guitare notes et tablatures 27
Guitare 23
Guitare (partie séparée) 16
4 Guitares (Quatuor) 4
Ligne De Mélodie, (Paroles) et Accords 3

Banjo 3
3 Guitares (trio) 1

+ 2 instrumentations

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Voix
Chorale SATB 59 009
Chorale 3 parties 23 598
Chorale 2 parties 14 357
Chorale TTBB 11 854
Chorale SSAA 6 149

Chorale Unison 6 057
Chorale 5 102
Chorale SSATB 316
Chorale SSAATTBB 221
Chorale SSATTB 149
Chorale SSAATB 50
Chorale SSAB, Piano 33
Chorale SSAB a cappella 32
Chorale SATBB 25
Voix seule 18
Chorale SSAATB A Cappella 9
Chorale SAATB A Cappella 7
Voix duo, Piano 6
Chorale SATTBB A Cappella 6
Chorale, Orgue 1
Voix duo 1
Voix Tenor, Piano 1

+ 17 instrumentations

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Vents
Saxophone (partie séparée) 89
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 81
Quatuor de Saxophones: 4 saxophones 65
Clarinette (partie séparée) 59
Flûte, Hautbois, Clarinette, Basson 49

Quatuor de Clarinettes: 4 clarinettes 37
Flûte et Guitare 36
Quatuor de Flûtes : 4 flûtes 33
Flûte traversière et Piano 32
Clarinette et Piano 24
Quintette de Saxophone: 5 saxophones 24
Hautbois, Piano (duo) 21
2 Saxophones (duo) 20
Flute (partie séparée) 18
Saxophone Alto et Piano 17
Ensemble de Flûtes 14
Clarinette 13
Quatuor de Flûtes à bec 13
Hautbois (partie séparée) 11
Saxophone Tenor et Piano 11
Ensemble de Clarinettes 11
2 Flûtes traversières (duo) 11
2 Clarinettes (duo) 10
3 Flûtes à bec (trio) 10
Flûte, Clarinette (duo) 9
Flûte à Bec 9
Saxophone Soprano et Piano 9
3 Saxophones (trio) 8
3 Clarinettes (trio) 8
Quintette de Clarinettes: 5 clarinettes 7
Flûte, Clarinette, Cor, Basson (Quartet) 7
Flûte à bec Soprano 6
Trio de Flûtes: 3 flûtes 6
Quintette de Flûte : 5 flûtes 6
Flûte traversière 6
Cor anglais, Piano 5
Saxophone Alto 5
Saxophone Baryton, Piano 4
Clarinette Basse, Piano 3
2 Flûte à bec (duo) 3
Quintette de Clarinette: Clarinette, Quatuor à Cordes 3
Flûte, Hautbois, Clarinette (trio) 3
Clarinette, Orgue 3
Ensemble de saxophones 2
Ensemble De Flûte à bec 2
Flûte à bec Tenor 2
2 Hautbois (duo) 1
Flûte et Quatuor à Cordes 1
2 Saxophones, Piano 1
Cor Anglais 1
Hautbois, Quatuor à cordes 1
Clarinette, Harpe (duo) 1
4 Hautbois 1
Hautbois, Harpe 1
Hautbois, Clarinette (duo) 1
Ensemble de Hautbois 1
Cor anglais et Harpe (duo) 1
Flûte, Clarinette, Piano (trio) 1
Clarinette, Basson (duo) 1
Flûte à bec Alto 1
Ensemble à vent 1
Saxophone 1
Hautbois, Basson (duo) 1

+ 58 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 117
Trombone (partie séparée) 63
Trompette (partie séparée) 53
Quatuor de cuivres: 4 trombones 39
Quatuor de Cuivres : 2 trompettes, trombone, tuba 37

Cor (partie séparée) 25
Trompette, Piano 24
Trombone et Piano 20
Tuba (partie séparée) 18
2 Euphoniums et 2 Tubas 16
Quatuor de Cuivres 15
Quatuor de cuivres: 4 cors 15
Trompette 13
Ensemble de Trombones 13
Cor et Piano 12
Quatuor de Cuivres: 2 trompettes, Cor, trombone 11
2 Trompettes (duo) 7
4 Tubas 7
3 Trombones (trio) 7
Trompette, Trombone (duo) 6
2 Trombones (duo) 5
Cor anglais, Piano 5
Trombone 5
Euphonium, Tuba (duo) 4
Quatuor de cuivres: 4 trompettes 4
Cor 4
3 Cors (trio) 4
Tuba et Piano 4
Euphonium, Piano (duo) 3

2 Cors (duo) 3
Cornet A Pistons 3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones 3
Ensemble de Cors 3
3 Trompettes (trio) 2
Trio de Cuivres 2
Trompette, Cor (duo) 2
Ensemble de Trompettes 2
Tuba et Orgue 2
Tuba 1
Cor Anglais 1
4 Euphoniums 1
Cor anglais et Harpe (duo) 1
2 Tubas (duo) 1
3 Tubas (trio) 1
Trombone, Cor (duo) 1
Trombone, Orgue 1

+ 41 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 109
Violon et Piano 34
Alto, Piano 24
Violon (partie séparée) 21
Violoncelle, Piano 20

Violon 16
Violoncelle (partie séparée) 16
Trio à Cordes: violon, alto, violoncelle 16
Contrebasse (partie séparée) 13
Violon, Violoncelle (duo) 10
2 Violons (duo) 9
4 Violoncelles 7
Quintette à cordes: 2 violons, alto, violoncelle, basse 6
Harpe 6
Violon, Orgue 5
Alto (partie séparée) 5
2 Violoncelles (duo) 5
2 Altos (duo) 5
Violon, Alto (duo) 5
Alto seul 4
Trio à cordes 4
Piano Trio: Violon, Alto, Piano 3
Harpe, Flûte (duo) 3
Alto, Violoncelle (duo) 3
Trio à Cordes: 2 violons, violoncelle 3
Contrebasse, Piano (duo) 3
Quatuor à cordes: 4 violons 2
Contre Basse 2
Trio à Cordes: 3 violoncelles 2
Quintette à cordes: 2 violons, 2 altos, violoncelle 1
Violon, Guitare (duo) 1
Trio à cordes: 3 violins 1
Harpe, Violon, Violoncelle 1
Harpe, Violon (duo) 1
Quatuor à cordes : 4 altos 1
Ensemble de Violons 1
Ensemble d'Altos 1
Violoncelle, Orgue 1
Trio à cordes: 3 altos 1

+ 34 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 541
Orchestre à Cordes 65
Ensemble de cuivres 59
Orchestre de chambre 43
Orchestre 38

Cloches 23
Ensemble Jazz 22
Percussion (partie séparée) 19
Batterie (partie séparée) 8
Marimba 7
Fanfare 6
Ensemble de Percussions 4
Jazz combo 3
Timbales (partie séparée) 3
Vibraphone 2
Percussion 2

+ 11 instrumentations

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Chorale

Euphonium, Piano (duo)

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Bach: Wachet auf for Euphonium & Piano

Bach: Wachet auf for Euphonium & Piano #Euphonium, Piano (duo) #FACILE #Classique #Johann Sebastian Bach #James M # #Bach: Wachet auf for Euphonium #jmsgu3 #SheetMusicPlus

Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...(+)

Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .

$24.95 ≈ 23.29€

Bach: Wachet auf for Baritone Horn & Piano

Bach: Wachet auf for Baritone Horn & Piano #Euphonium, Piano (duo) #FACILE #Classique #Johann Sebastian Bach #James M # #Bach: Wachet auf for Baritone #jmsgu3 #SheetMusicPlus

Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...(+)

Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .

$24.95 ≈ 23.29€

Pachelbel: Canon for Baritone Horn & Piano

Pachelbel: Canon for Baritone Horn & Piano #Euphonium, Piano (duo) #FACILE #Johann Pachelbel #James M #Pachelbel: Canon for Baritone #jmsgu3 #SheetMusicPlus

Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part....(+)

Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.

$28.95 ≈ 27.02€

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